![]() So what are you waiting for, please download this Japanese Yandex Blue application, and install it right now on the device you are using. So with this matter, of course you can be more satisfied and get more experience in enjoying satisfying videos.Īlso Read: Xnview Japanese Filename Bokeh Full APK Uncensored In addition, the quality or resolution of the video is very good and also impressive when you are watching.īecause when you play the video, you will get a very satisfying video viewing experience.įor the video genre of the SMK museum version in the classroom that is in the application itself, of course you don’t need to doubt it anymore.īecause the thousands of types of satisfying videos that are in it, have been supported by different genres or video lines. Do not copy, modify or re-post this article or images without express permission from SLR Lounge and the artist.Yandex Blue Japan is a satisfying video service in the form of an application with the addition of several excellent features in it.Īnd the existence of this excellent feature in Yandex Blue Japan, will certainly provide an convenience for everyone who uses it.īecause this application is new, of course you will be presented with various types of new bokeh videos as well.īecause it can be said that the various types of satisfying videos in it are updated almost every day. You can head over to his Google+ and Flickr to see the rest of his gorgeous works, and keep up to date with him.ĬREDITS: All photographs shared by Takashi Kitajima are copyrighted and have been used with permission for SLR Lounge. He calls this method of his, which he admits is unperfected, ‘extra bokeh’. He says he wants, “to please many people and not just photographers,” and the accessibility of his images speaks to that. It’s also clear why Getty Images scooped him up. Takashi is very unassuming and cheerful, and, clearly, does what he does out of love. He often picks a particular object to try to lead your focus to by having a gradient of bokeh throughout the rest of the image. Each photo is a composition that has its start usually on top of a building or an observation deck in some metropolis. His series is a continual work in progress, and he continues to push the paradigm of what can be done with standard landscapes. The lenses he uses are mainly Nikon, listing the Nikon 50mm f/1.2, and Nikon 24mm f/2.8. He didn’t go into further detail there, but I’m curious how that works. Finding that he was unable to get the, “degrees of leaning with the commercially available lens or mount adapter,” he had to adapt them on his own, in which the use of rubber gloves was required. He shoots mainly with mirrorless preferring the Sony NEX-5N and Olympus E-P5 and using Nikon lens mount adapters. Unfortunately, the language barrier between his Japanese and my rubbish Japanese didn’t allow perfect flow of conversation, but he was kind enough with his time and patience to tell us about his gear and methodology. A photo series he did of New York and Tokyo captured the cities in ways yet to be seen, and I had to speak with him. His photos on Flickr have gained him a tremendously loyal following, of which I am now one. Using what he calls a ‘tilt-shift law’, Takashi often uses cityscapes as his main subject.
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